art

indigo experiments

Last week I began testing an indigo ink.

I have made a series of drawings since March that are the result of repetive marks and the visual rhythmns derived from the depletion of ink in my dip pen. When I make these drawings my mind is empty and the result of the process is a complete surprise.

3 or more hours

I made this drawing after the splat. 

I had finished the splat drawing but I really felt as though I needed to make another. From previous experience I figured I might be able to make another small drawing in the three or more hours I had left in my studio day.

Making this drawing actually surprised me. My ability to maintain an even tempo and distance was quite easy. I am really please with what it turned out to be. 

3060 marks one splat on Yupo

Another in my new series of ink drawings on Yupo.

I was well into this drawing. Only a few rows short of being finished. All I could hear was my breath, the tap of my pen on the Yupo surface. I had just filled my pen when a vibration and a door slam startled me.

The result, a splat.

I gathered myself and decided to finish the drawing. Title 3060 splat

new series unnamed drawings

I've made several small drawings rendering repetitive marks to create patterns. These drawings are part of continuing experimentation on rhythms created by the repititive marks using tools that must be dipped or filled with limited amounts of pigment. 

The changes in the marks are a direct result of the depletion of the pigment. I'm working on both large and small drawings. Looking forward to making more.

In the Studio : late March

I began a series of marks on a piece of engineering vellum this past week. It revealed some very compelling patterns. After a very interesting conversation with art bud Brian Dennis I took to a new drawing. Looking to make a larger drawing. One with the same mark over and over.

These images are my first effort. The rhythm/pattern is revealing itself.

This is the result of three days of drawing. I'm looking forward to working on this drawing again and the others that will come after it. I have a whole drawer of Yupo sheets that can be the surface for these drawings.

in the studio : late March

Marks side by side.

Another experiment on white Yupo with my new marker and acrylic ink. I'm enjoying this adventure into everything synthetic. So strange trying to control the quality of the line as it glides across the surface. I find this an exciting alternative to my rag paper and traditional inks. The other side of the coin in a way. I enjoy both and switching back and forth always keeps me sharp.

This drawing is in it's early stages. I don't know if it really will be something but the trip has been worth it so far.

in the studio March : green for spring

This past week I pulled out an experimental drawing on Yupo. I've been looking for additional tools to make marks I discovered while making my 366 project.

This week I have been doing some experiments with an ink marker.

These are new green marks I added. I'm pleased with the result but the drawing still isn't finished. It hasn't heald my attention. I've hung it on a studio wall while I try to discover what I'll do next.

my new Montana Marker

A nice picture of my most recent aquisition for making marks. This is the first of these markers that i have purchased. I've chosen a green that feels like spring and I'm going to experiment. The ink is acrylic and the pump action refills the nib. I'll take it through the paces on numerous surfaces.

I'm looking forward to getting to know what the marker can do. If it responds as I expect I'll try buying a couple larger nibs.

in the studio : stick patterns for spring

This new drawing was inspired by my recent walnut ink drawings.

Where the walnut ink is subtle the acrylic ink I used for this drawing and a humber of others is not. Still there is an amazing variation of hue and intensity. This drawing and a number of others consist of 18 lines drawn and stacked on a single small sheet. This would fit in a   9 x 12 inch frame.

I often draw brown marks in the spring. These recent drawings are like little sticks. The drawing wants another mark. Something warmer? Not sure yet.

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