I'm excited to announce a solo show of my newest drawings. 

March 3 – 30, 2018

RECEPTION
Saturday, March 10, 4 – 6 PM

This exhibition features all new drawings. In the past year I have renewed my exploration of color relationships and color saturation, a departure from my last exhibition. These drawings on panels move gently onto new planes.

The constant in my work is the role of process and materials. Methodical, repetitious, and meditative marks are the vocabulary of measurement and probing.

It was a busy and productive week in the studio. Tiring in fact. The weather has changed so I had to bundle up and move around. That means drawing big and keeping warm.

Occasionally I put my iPhone to work capturing my work process. Here’s a little video of some work this week.

It has been a year of saturated color. 

I have been making commissions and sketches to lead me to those final pieces. Here my studio wall holds many of the pieces I have made this year. All of the work is from this year, including the small drawings on paper. There are additional works on another wall.

I’m about to make a couple large drawings on panels and get back to some works on paper.

Last week I finished a commission.

The buyer/collector came and viewed it for the first time, paid for it, and took it home. I'm trying to take it all in. It was all quicker than I thought it would be. No real time to spend with the finished piece.

The results as always a product of the process. The process in chosing colors and marks was considerable. Many experiments to determine the process and the tools. It is one of the larger drawings I have made to date.

In Part 2 after another twelve plus hours I finished drawing the blue dots on this commission.

I didn't document the whloe drawing but felt the need to do some to compliment my previous video.

The commision is almost complete. A few more dots of another hue will completer the drawing.

I have three fabulous Fabriano tiny books. I have been drawing in this green book for three weeks now and I am almost finished. It is a wonderful object that has a seemingly coded story that can be revealed. Some people call this asemic writing it is an accurate description of the drawing in this book.

Making drawings that are also objects is very interesting to me. Books are a special love.

My work is about process and materials, it is methodical , repetitious, and meditative.

I made a few timelapse videos and stitched them together on my iphone. It was fun and painless. This is part one. It's fun to look back on what happened when you make a piece. The timelapse makes it speedy but each line is drawn slowly.

A continuing adventure of studies for my large commission. This new 12 x 12 square is a test in color density. I needed a large area to get a good sample of the pattern result. 

Proximity and relativity of color have a specific role in this new work. The scale of the piece makes such a huge difference in the drawing and perception of the pattern. 

Each time I increase the size of the field I make so many new discoveries.

I've begun laying the ground color for the two large panels. They need another coat and I'll be ready to draw with my Montana Markers.

For the last few months I have been experimenting with Montana markers and Flashe vinyl paint.

The markers allow me a different kind of control in making marks over large areas. I can allow for variants in opacity using the pump feature in the markers. I'm also able to draw with paper attached to the wall. I love being able to use a varient of tools I am very familiar with to make this new work. 

These three small panels are in progress. I've had to put them aside while I work on studies for a large commission.

Over the past month I have been working on drawings made with markers. I'm happy have to found paint markers that I enjoy using for drawing. This past week I began experimenting with some lines and marks that I had found to be successful while making a series of studies. 

The first image is little patterns on paper. The second image is of the first two small drawings. These are the first of the blues.