Been getting into the studio more regularly now. I’ve begun a series of 4x6 inch drawings. Had done a few previously and like working with the proportion. Still a great way to make use of cut ends of larger sheets of paper that have been left over from others series.
i really enjoyed laying down some vibrant spring color. These three and three more are drying on my worktable. Looking forward to getting to work on them again tomorrow.
love using my giant Montana markers.
Artist Alyse Bernstein invited me to be part of a demo she As going to print with her intern Anna.
I’ve had a chance to experiment with Gum Arabic as a drawing ink. It was a very interesting experience making four drawings. It’s a substance that requires drawing quickly. It’s important to finish drawing before the gum dries so the whole drawing can be seen.
The results are based on the suspension of the gum in water and how it pools and disperses. I’m looking forward to the results.
Cutting a template for four small drawings I’m making on a metal plate for Alyse Bernstein to print. Being precise is good. Yet another experimental adventure. I have no idea what will happen but this set of four small drawings will reveal what my techniques will do in this environment.
This template helps me leave the correct space around the drawings to work on the press. It also helps me keep fingermarks and hand oils from marking the plate.
I had a whole plan for a 365 project. It went to hell.
It seems that these small drawings have started to pour out. So I ave changed the project to small drawings on 4 x 4 inch squares of scrap paper bits tht ave been lying iin my flat files for soe time. They are happy to be used.
I've also pulled out pens, pencils, crayons, and markers. Some little nubs of things too.
I'm learning something new each time I make a new drawing. I'm interested in making some larger pieces that use the marks and process I've used for the smaller pieces.
Working on a new large drawing. I’m a bit further along than when I snapped this process image.
This panel has a sheet of Stonehenge mounted on it. The wash is made with a vinyl paint and the dots are acrylic ink made with a syringe. I expect to have the dots completed in my next visit. Then I will determine whether other marks are needed.
I've been busy in the stuudio adding a new series of All Sorts drawing to my work. I'm hoping to have he individual pieces for sale at my open studio and to have an installation group that could be purchased as a whole.
I've been making larger drawings lately but now have slid in two directions at the same time.
These three drawings use many of the materials I have been experimenting with this year. Watercolor and acrylic paint markers and vinyl paint cover Strathmore watercolor paper almost completely.
I'll blot and press them to eliminate the curl or mount them on museum board. It's fun to make these pieces inspired by some sketchbook drawings.
More to make.
June is shaping up to be the last of the spring cleaning for a bit. Many series of drawings have been stored in boxes and the last of the boxes are being glued to store pairs of drawings that have been mounted on boards. I've been able to clear my flat files for more drawings. I'm hoping I'll be able to extend this system to make more drawings easily available for when I have studio visits.
Ready to continue All Sorts drawings. Started prepping new panels last week.
This series really helps me learn new things about my process. It's great to have the energy to prep the panels and organize myself to expand the series.
I have six small panels to start.
A new drawing using a deep forest green. So many folks have remarked on the scale of this drawing. I’ve embraced a new series of drawings that are vertical, this one.
