contemporary art

In the studio : new marker drawings

For the last few months I have been experimenting with Montana markers and Flashe vinyl paint.

The markers allow me a different kind of control in making marks over large areas. I can allow for variants in opacity using the pump feature in the markers. I'm also able to draw with paper attached to the wall. I love being able to use a varient of tools I am very familiar with to make this new work. 

These three small panels are in progress. I've had to put them aside while I work on studies for a large commission.

The ocean has rhythm and comes in shades of blue

Over the past month I have been working on drawings made with markers. I'm happy have to found paint markers that I enjoy using for drawing. This past week I began experimenting with some lines and marks that I had found to be successful while making a series of studies. 

The first image is little patterns on paper. The second image is of the first two small drawings. These are the first of the blues. 

project : microweave drawings

I spent some time getting back to drawing my microweave pieces. These are each about 3 x 3 or 4 x 4 inches square. I'll be looking through them to see which really have a unique feel. Loving my Stablio pens, planning on extending the colors in my pencil case.

I currently have a dozen.

They each take patience and being in a very restful state.

Being in the Woods Untalan Dennis and Mowat, Review

Being in the Woods unites Stella Untalan‘s ink drawings and Brian David Dennis‘ large cardboard construction titled, [bar], in a meta-magical art installation vibrating with the rhythms of the universe and nature. Minimalist drawings using walnut ink and a nib are serenely precise and flow with life energy. The repetition and hand/mind control pulses across the sheen of the paper like heart beats, the measure of time is palpable and flowing.

In the studio: February Commission

I've been working on a smaller drawing to test a process for my current commission. I've been in the studio for three days and made progress enough to visualize the much larger piece. The rhythm is working and the color patterns work. I can feel the ocean and its undulation.

Now it's time to think about mounting paper or not to make this drawing. The paper as substrate will make drawing on the surface a bit more fluid. I also want to make the marks a bit larger and absorbtion into paper will help the marks dry faster.

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