POSTED ON Saturday, September 12, 2015 - 19:12
Many missives in this little red Fabriano Sketchbook. Each drawing in this body of work is made with a fixed width fountain pen. Each drawing has a conversation with the drawing before and the drawing after.
The lack of opacity of the Fabriano sheet allows a reader to experience the show through drawing on the verso and the full drawing on the recto. This creates a rhythm and a linear experience a story line as one pages through.
There is no meaning to the marks until the reader views the drawings in context. The experience create a narrative of imagination.
POSTED ON Thursday, September 3, 2015 - 08:39
I'm working with smaller drawings now. It's all in response to the heat and how much energy it takes to make big drawings. I love small drawings and right now I am making drawings that can be paired or shown in multiples.
This is the start of a larger series of drawings made on 7 x7 inch paper. They follow the rules of the measuremnt series; dipping a pen and drawing a single stroke one after another until the ink is gone and repaeating this until it fills a defined field. The drawing reveals a rhythm and the marks measure the distance and mass one dip of a pen can make.
POSTED ON Wednesday, August 5, 2015 - 11:00
Back in the studio in August and it's already been very productive. My last visit I completed another drawing in a new series.
These drawings consist of three repetitive marks drawn in columns. I'm learning about how the columns react based on speed, ink, and drawing impelments. This drawing was made using prefilled drawing pens. They create a consistant line and tone. I love the different experience from close and distant views. Still, they don't run out of ink for many. many marks. This is not consistant with my need to use measuring as a key element in making my recent work.
POSTED ON Sunday, August 2, 2015 - 08:23
A good hot cuppa Joe and off to the studio today. Time to make some drawings on new Fabriano paper I'm gonna pick up as soon as the art supply opens.
POSTED ON Sunday, July 19, 2015 - 20:45
Finding a rhythm, 1, 2, 3.
After filling some pages with lines moving in various directions I defined a zone in which to draw a series of short lines. Each grouping of three is stacked on another three. These marks create an undulating column.
I began drawing a series of these columns and investigated the resulting lines. This image is one small test drawing. Using different drawing tools changes the appearance of the three line groups and ultimately the motion of the columns. I'm currently making a series of drawings based on these marks.
POSTED ON Sunday, July 19, 2015 - 12:30
The difficulty is in motivation. How to get started drawing when I was stuck? This almost never happens. Yesterday I was able to get started in the studio again. I had an art play date. Artgal Amy Ralston brought some supplies over and the two of us just experimented. Every once in a while we would chat, stop for a cup of coffee, or show eachother what we had made so far. I took to filling this page with lines — feeling the movement, playing with gaps and patterns. I was able to get something going.
It takes not being too serious and eliminating the expectations of outcome.
POSTED ON Thursday, May 21, 2015 - 20:03
What was on the wall wednesday.
I have begun making sets of panel drawings that can be paired in different ways. This is the start. We'll see just how many I make and how many of them feel successful enough to add to a multipanel presentation.
My process allows each to be independent and I'm open to that always being the case. But the joining of many pieces that have a common criteria but are not made to BE together will make for an interesting result.
Looking forward to continue the drawing and see what develops.
POSTED ON Sunday, April 19, 2015 - 18:52
Working on these two new panels. Working dark earth. The image isn't the best.
Both drawings following the same rules as the twins before. Two 12 x 12 inch panels one drawing is made on a primed wood surface and the other on mounted watercolor paper. The panels have two tonal profiles. One is a wash the other a sold rich dense hue. The long lines have some very subtle moments due to my value choice. The shorts use a pearlescent ink which makes the texture directional.
These two pieces are hanging on the wall in my studio. Tomorrow I'll see what is next if anything.
POSTED ON Sunday, April 12, 2015 - 20:08
Today I worked on this card to determine hue for the ink in my most recent drawings. I use this often when I work with new pigments and materials. I keep the cards sometimes with annotations for reference.
I look at the marks now and again just for the joy of it.
POSTED ON Sunday, April 12, 2015 - 18:59
I've had to fight for time in the studio lately.
The good news is I'm getting there and I'm making drawings. I have a series of colored squares I have been working on. They can stand alone, work in tandem, or be arranged in groups in multiples of two. These are in a subset series of measurement drawings that are long and short.
This is what was on the wall last wednesday. I've drawn on a third square but I'm not sure that it is finished. I have a feeling that it is done but waiting is good for clarity. I have a studio day on Saturday so I'll be able to reassess.